MY SOUND LIBRARY IS ON GOOGLE DRIVE!!!

Hi y'al1! Thank you for your patience as I'm still navigating Google Drive. I resolved the issue and my sounds are ready for your ears! I hope you will take a moment to check them out! https://drive.google.com/file/d/1LPS1HPNJXso9P6F0QRFgH18KPMxyNyFf/view?usp=sharing

Comments

Post a Comment

Popular posts from this blog

Theory of the Film: Sound by: Bela Balazs (this is a longer blog than required; I just had a lot to say!)

Theory of the Film: Sound by: Bela Balazs This article was very interesting in many senses and Balazs' theory is beautifully written using descriptive "sound" words. Within the segment of Discovery of Noise (perceived as confused noise), some form of the word chaos was used seven times: chaotic clamor, chaotic noise, art saves us from chaos, specific kind of chaos, redeem us from the chaos of shapeless noise, a lifeless chaos of sound, and how the sound camera will intervene in this chaos of sound. The constant state of chaos is comprised of the many sounds in the acoustic landscape in which we live, far beyond just human speech. The vast conversational powers of life incessantly influences and directs out thoughts, and emotions. Meanings attached to hearing a creaky floorboard creaking in a deserted room could be interpreted as creepy or paranormal. A deathbed beetle ticking in old furniture brings about a sense of creepy crawly disgust. Sounds don't have to be a...
Read more

Meg's Presentation - Martha Colburn and Kelly Gallagher

I am grateful to Shannon for assigning me these two incredibly artists who have inspired me ever since I watch a minute of each of their films. The complexity of their work and devotion to ensuring a stellar product is something I have great respect for. I had a great mentor who would always say, "you can't rush art". I love that Colburn sometimes spends years on her projects and am in awe of her work in progress of the 52 minute stop motion animation, The Garden. After finding out Colburn was Gallagher's mentor, the commonalities fell into place. Gallagher did not create works mimicking those of Colburn, but used a lot of the same techniques. Since Colburn is 15 years older, Gallagher had the privilege of working with another strong female who had trailblazed this path. Kelly was blessed to have a mentor who had already figured out most of what works and what doesn't, so she had an advantage in stepping into this genre without having to do a plethora of tests. ...
Read more

Le Retour a la Raison by: Man Ray

Thrice I have watched this film and am glad I did so before offering commentary. Having made pictograms before, seeing so many images of the nails, I appreciated the amount of work that went into those few seconds. It's possible he used the same image(s), repeatedly moving them frame by frame in the same vein as stop motion animation... The hard lined linear objects rapidly shuttered and was interspliced with soft, circular objects slowing spinning 'round and 'round . The softness of the laced shadows on the woman's breasts along with slow turns of her body added a natural element to this film, supporting it's focus shadows, shapes and movement.
Read more