Kustom Kar Kommandos

I have seen Kustom Kar Kommandos four times and catch something new each watch! The color palatte with the pink and blue are visual representations of gender norms. The use of the soft sponge prop to polish hard, shiny objects heightens the homoerotic nature of this film. It's not until the man is inside the car that his face is shown. Sitting in the pristine driver's seat with vaginal shaped headrests, he moves the stickshift back and forth, remniscent of a sexual act. Being "faceless" for a good portion of the film demonstrated a "trapped in the closet" feel from 1965. For it's time, this film was brave and bold, which is likely why I've seen it in two classes!

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