This is an interesting follow up to the Belazs article. The concept of Cymatics is precisely what I was battling... Balazs stated that sounds throw no shadow. Sounds cannot produce shapes in space. My opposition of several Balazs' theories were supported by Even Grants' demonstration of Cymantics...the visualization of sound. The use of a cymascope demonstrated the visual patterns of sound waves, backing up my theory. I even saw some shadow. As for Synethesia, I find it fascinating and confusing. It did bring about curiousity as to why we associate blue with cold, or red with hot? Blue is actually the hottest part of a flame, but fire is also considered orange, not red. Why? Who decides these things, how are they so inherent to us? Perpaps I'm a bit off course with that but feel it worth a mention. And the food association requires more time to digest. Would PTSD be considered synethetic? Would sudden sounds trigger associations with other senses fall into that catego...
Theory of the Film: Sound by: Bela Balazs This article was very interesting in many senses and Balazs' theory is beautifully written using descriptive "sound" words. Within the segment of Discovery of Noise (perceived as confused noise), some form of the word chaos was used seven times: chaotic clamor, chaotic noise, art saves us from chaos, specific kind of chaos, redeem us from the chaos of shapeless noise, a lifeless chaos of sound, and how the sound camera will intervene in this chaos of sound. The constant state of chaos is comprised of the many sounds in the acoustic landscape in which we live, far beyond just human speech. The vast conversational powers of life incessantly influences and directs out thoughts, and emotions. Meanings attached to hearing a creaky floorboard creaking in a deserted room could be interpreted as creepy or paranormal. A deathbed beetle ticking in old furniture brings about a sense of creepy crawly disgust. Sounds don't have to be a...
Beautiful and present. Nice work.
ReplyDeletethank you! I took it myself!
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